(USC) (Unpredictable systems and collapse)
This composition is open composition exploration base in a real time interaction between sound and image made with the USC software.
This composition explores dynamic elements of noise, glitch and electric dysfunctional approach. Exploring small detail and transformations in the internal rithmic structure of the record material.
I take in consideration differentiated ellipsis that are in constant movement and interacting in a random and chaotic . As a multidynamic entropy and chaotic system that is generating content base in repetition and articulation between parts and phases. Giving notions of space and fragments of structures.
Composer: Hugo Paquete
Year: 2013
Acousmatic music / Live electronics / glitch
Visual and Sound Phenomenology
Aestheticism engages with contemporary art practice relating sound art,visual work and media technology
Segunda-feira, 6 de Maio de 2013
Terça-feira, 30 de Abril de 2013
( D.A.s ) Death Amplitude Synchronization_Hugo Paquete_2013
This is just a test for a more complex project.
( D.A.s ) Death Amplitude Synchronization_Hugo Paquete_2013
Testing sensibility of the contact mics.
Experiments for project developing.
2013
Segunda-feira, 25 de Março de 2013
(USC) (Unpredictable systems and collapse) Software art / Hugo Paquete / 2013
(USC) (Unpredictable systems and collapse)
Software art sound applications performative experiments
Hugo Paquete
The Abstract Machine, on this model, is a phylum comprising ‘particles’ of ‘matter’ which cannot without remainder be converted into form; it is said to possess an ‘anorganic vitality’ which by definition is opposed, and resistant, to an organic composite formation. In this sense it is virtual rather than actual, real rather than realised.
The Abstract Machine is not static like the ‘deep structure’, regarded as a given, on which structuralism is predicated, but is, rather, involved in constant variation, in perpetuum mobile.
Its propulsive force, however, it is not susceptible to being gridded by reference to an evolutionary or teleological template. This is the specificity of the machinic mutation which effectuates the break with the structuralist aporia in which, according to Alliez, Deleuze’s Logique du sens ended (Alliez 2004, 90).
The Abstract Machine is not static like the ‘deep structure’, regarded as a given, on which structuralism is predicated, but is, rather, involved in constant variation, in perpetuum mobile.
Its propulsive force, however, it is not susceptible to being gridded by reference to an evolutionary or teleological template. This is the specificity of the machinic mutation which effectuates the break with the structuralist aporia in which, according to Alliez, Deleuze’s Logique du sens ended (Alliez 2004, 90).
Terça-feira, 19 de Março de 2013
Acousmatic void / Hugo Paquete / 2013
Acousmatic void:
Sound one hears without seeing an originating cause.
365 days exploring sound combinatoric and random, stochastic net process of composition
Hugo Paquete
2013
http://acousmaticnoise.tumblr.com/
Terça-feira, 5 de Março de 2013
Hugo Paquete / TellusTools tracks / Mix 2013
TellusTools SoundCloud Remix Competition Create an original remix of Harvestworks’ TellusTools tracks, using innovative and experimental mixing methods. The works will be publicly available for listening on SoundCloud, selected works will be presented at Harvestworks’ TEAMLab presentation space on April 17. TellusTools SoundCloud Remix Competition http://www.harvestworks.org/apr-3-tellustools-soundcloud-remix-competition/
Subscrever:
Mensagens (Atom)








