tag:blogger.com,1999:blog-60234711156737990122024-03-12T17:44:20.362-07:00Hugo Paquete ///// Noise and chaosAestheticism engages with contemporary art practice relating sound art,visual work and media technologyHugo Paquetehttp://www.blogger.com/profile/18293831461827779099noreply@blogger.comBlogger86125tag:blogger.com,1999:blog-6023471115673799012.post-11414175827505310952017-10-29T14:35:00.001-07:002017-10-29T14:35:42.737-07:00EthnoTech<a href="https://hugopaquete0.wixsite.com/soundartist">EthnoTech</a>Hugo Paquetehttp://www.blogger.com/profile/18293831461827779099noreply@blogger.comtag:blogger.com,1999:blog-6023471115673799012.post-37124262692901281582015-04-04T08:21:00.002-07:002015-04-04T08:22:14.603-07:00Aural som media e tecnologia <div class="separator" style="clear: both; text-align: center;">
<a href="http://2.bp.blogspot.com/-CGpT7kUujSs/VSAAqDzs1rI/AAAAAAAACKc/CHO37vviFeQ/s1600/AURAL_final_001.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-CGpT7kUujSs/VSAAqDzs1rI/AAAAAAAACKc/CHO37vviFeQ/s1600/AURAL_final_001.jpg" /></a></div>
<br />
<span style="color: white;">Aural</span><br />
<span style="color: white;">som media e tecnologia</span><br />
<span style="color: white;"><br /></span>
<span style="color: white;">O ciclo de formações Aural: som
media e tecnologia, afirma-se como uma espaço de experimentação para uma
diversificação de técnicas, metodologia e desenvolvimentos processais,
no entendimento do som como media. Colocando em contacto e aprendizagem,
diferentes abordagens técnicas e formais que vão do software ao
hardware, na manipulação e expansão dos fenómenos sonoros, musicais e
performativos recorrendo a conceitos de interface, programação e
informática musical. Com o objectivo de apresentar formações e alicerçar
conhecimentos, que sirvam de complemento no desenvolvimento de
experiências dentro das artes sonoras, som, música mista, intermédia e
arte é tecnologia.</span><br />
<span style="color: white;"><br /></span>
<span style="color: white;">Organização do programa Hugo Paquete e Jorge Vieira Vaz.</span><br />
<span style="color: white;"><br /></span>
<span style="color: white;">Ciclo de formações a iniciar em Março de 2015</span><br />
<span style="color: white;"><br /></span>
<span style="color: white;">+ Atari punk console</span><br />
<span style="color: white;">+ AudioMulch Interactive music studio</span><br />
<span style="color: white;">+ Circuit bending</span><br />
<span style="color: white;">+ Processing: Programação criativa</span><br />
<span style="color: white;">+ Electric fields</span><br />
<span style="color: white;">+ O som das coisas</span><br />
<span style="color: white;">+ Arduino</span><br />
<span style="color: white;"><br /></span>
<span style="color: white;">Mantém-te informado em:</span><br />
<span style="color: white;">http://esapnfc.wix.com/esapnfc</span><br />
<span style="color: white;"><br /></span>
<span style="color: white;">CESAP, Rua do Infante D. Henrique nº 131</span><br />
<span style="color: white;">4050-298 Porto</span><br />
<span style="color: white;">41.140309, -8.615821</span><br />
<span style="color: white;">Tel: +351 22 339 21 00</span>Hugo Paquetehttp://www.blogger.com/profile/18293831461827779099noreply@blogger.comtag:blogger.com,1999:blog-6023471115673799012.post-10667196059591920962015-03-28T05:53:00.001-07:002015-03-28T05:53:29.613-07:00Pareidolia: Glitch-Evento, Metodologia e Espectro | interact<a href="http://interact.com.pt/22/pareidolia/">Pareidolia: Glitch-Evento, Metodologia e Espectro | interact</a>Hugo Paquetehttp://www.blogger.com/profile/18293831461827779099noreply@blogger.comtag:blogger.com,1999:blog-6023471115673799012.post-89533305131312426712015-03-25T03:57:00.001-07:002015-03-25T03:57:41.761-07:00New developments for spatial music in the context of the ZKM Klangdom: A review of technologies and recent productions<a href="http://www.divergencepress.com/Journal/JournalIssue/tabid/85/ID/22/New-developments-for-spatial-music-in-the-context-of-the-ZKM-Klangdom-A-review-of-technologies-and-recent-productions.aspx">New developments for spatial music in the context of the ZKM Klangdom: A review of technologies and recent productions</a>Hugo Paquetehttp://www.blogger.com/profile/18293831461827779099noreply@blogger.comtag:blogger.com,1999:blog-6023471115673799012.post-11524173296542707152015-02-18T10:41:00.001-08:002015-02-18T10:41:40.490-08:00Pareidolia: Glitch-Evento, Metodologia e Espectro | interact<a href="http://interact.com.pt/22/pareidolia/">Pareidolia: Glitch-Evento, Metodologia e Espectro | interact</a>Hugo Paquetehttp://www.blogger.com/profile/18293831461827779099noreply@blogger.comtag:blogger.com,1999:blog-6023471115673799012.post-5323819861443310242015-02-10T13:46:00.001-08:002015-02-10T13:47:05.130-08:00My composition Radial transference will be integrated in the program for RadioCona in collaboration with Radius.<div class="separator" style="clear: both; text-align: center;">
<a href="http://2.bp.blogspot.com/-Fa70mwlOvlQ/VNp8FQxmTlI/AAAAAAAACGE/EhSc4Adpygo/s1600/arvore.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-Fa70mwlOvlQ/VNp8FQxmTlI/AAAAAAAACGE/EhSc4Adpygo/s1600/arvore.jpg" height="426" width="640" /></a></div>
<br />
Dear friends,<br />
<div style="text-align: justify;">
My composition Radial transference will be integrated in the program for RadioCona in collaboration with <a class="profileLink" data-hovercard="/ajax/hovercard/page.php?id=102720069808645" href="https://www.facebook.com/thetheradius">Radius</a>.</div>
<div style="text-align: justify;">
The title of the program is zimaFM (winterFM), which brings together
works that combine the medium of radio with a winter landscape, with a
special focus on nighttime. The broadcasts will occur for five
consecutive days beginning at nightfall on Sunday February 15 through
Thursday February 19, concluding with a night of live performances. In
addition <span class="text_exposed_show">to the FM broadcasts, we are
installing a 'listening hub' at the concert venue, Pritličje, which will
serve as a way for folks to listen to all of the work during
non-broadcast hours.</span></div>
<div class="text_exposed_show" style="text-align: justify;">
Here is a link of the program to share: <a href="http://l.facebook.com/l.php?u=http%3A%2F%2Fwww.radiocona.si%2Farchives%2F6842&h=wAQG_X7rH&enc=AZPFg02DKVDrOfNYzHdPfBpunkubHp8VQMk2eLLW579gIicKY2yLLJKHwxmmxCfJarxwlxGSl0mfdWuBDmpF-FJiFIPJ6XSfZoWuAD0Yyin6nlTse-ce9PNr5b4CSfaT6jFFpgr6pFLQlCX8l11HjMJdjBB04YMet29itXtBCLkqhQ&s=1" rel="nofollow" target="_blank">http://www.radiocona.si/archives/6842</a><br />
Here is a PDF of the broadcast schedule: <a href="http://www.radiocona.si/wp-content/uploads/2015/01/druga-stran_FIN.pdf" rel="nofollow" target="_blank">http://www.radiocona.si/…/uploa…/2015/01/druga-stran_FIN.pdf</a><br />
<br />
<span class="fsl">radioCona will tune in for five days in a row exactly
at nightfall. This is the time when the atmosphere is no longer filled
with the fine sunlight, when the sun reaches 18 degrees or more below
the horizon.<br /> <br /> radioCona:Zima FM is an exhibition project that
takes place across an FM frequency. It brings together and presents a
selection of works combining the medium of radio or sound with a winter
landscape, with a special focus on nightime.<br /> <br /> broadcast programe <a href="http://l.facebook.com/l.php?u=http%3A%2F%2Fwww.radiocona.si%2F&h=HAQH8Lvg5&enc=AZO-TJfO3t7wLlhCZG6RAUBXfRSP4U6kk0wFv-BdG24Phr_pBEO2KWB6s1NEM9psG4s&s=1" rel="nofollow nofollow" target="_blank">http://www.radiocona.si/</a><br /> <br /> radioCona Listening HUB:<br /> Monday 16 - Thursday 19 February, 2015<br /> Pritličje, Mestni trg 2, Ljubljana, Slovenia<br /> <br /> Live performance:<br /> Simon Macuh: Huuuuummm (Wednesday, February 18, 2015, at 22.00 streets in front of Pritličje)<span class="text_exposed_show"><br /> <br />
Robertina Šebljanič, Petra Kapš (OR poiesis), Kikiriki (Nina F), Miha
Ciglar, Marko Batista, Jeff Kolar (Thursday, February 19, 2015, at 19.19
Pritličje and radioCona FM 88.8MHz and stream)<br /> (all times listed: CET/UTC+1)<br /> <br />
Artists: Kathy Kennedy, Ethan Rose, prOphecy sun, Maria Papadomanolaki,
Timo Kahlen, Ludwig Berger, Andrea Cohen and Wiska Radkiewicz, Andrea
Parkins, Diogo Alvim, Fergus Kelly, Juan Cantizzani, Pablo Sanz, Kevin
Logan, Mari Ohno, Melissa Deerson, Miguel Negrão, Monty Adkins, Barry
Truax, Stephane Claude, NRRF, C-Drik, Vasja Progar, Marko Trstenjak,
Niklas Meier, Jeff Kolar, Hugo Paquete, Joseph Kramer, Anastasya
Koshkin, AndréA Marsolais-Roy, raxil4 + his Namelessness Is Legion,
Vacuamoenia, Mario Gauthier, HMBKR, Andrej Hrvatin, Julian Scordato, Dan
Tapper, Billy Gomberg, Scott Sherk, Camilla Hannan, Christopher Wood,
Farah Mulla, Ghost Imbiss, Hildegard Westerkamp, Brona Martin, Sam
Salem, Steve Brandley, METASITU, Randolph Jordan, Jeff Gburek, James
Chinneck, Peter Courtemen, Robertina Šebljanič, Petra Kapš (OR poiesis),
Kikiriki (Nina F), Miha Ciglar, Marko Batista, Monty Adkins, Pali
Meursault, Luke Munn, Jason Bolte, Calver Audain, Jordan Lacey, Brane
Zorman, Emilie Mouchous & Andrea-Jane Cornell, Liam Slevin, Bethan
Parkes, Jeremiah Moore, Pablo Sanz, Pete Stollery, Robin Parmar, Anna
Friz<br /> <br /> Curators: Jeff Kolar, Jasmina Založnik, Brane Zorman, Irena Pivka,<br /> <br /> about radioCona:Zima FM<br />
The five-day broadcast radioCona:ZimaFM resumes and takes to the next
level the featured parameters of radioCona activities by stressing the
dimension of nocturnal radio transmission. It plays with the idea of
heightened perception that can happen only by withdrawing from the daily
rhythm of multifunctional hyperactivity. The winter, commonly
associated with silence and stillness, outlines the programme’s
framework, at once breaking and reflecting on it on different levels.<br /> <br />
Curatorial selection radioCona:ZimaFM comprises compositions of home
and international authors, produced by Cona. It includes a selection
from radioCona transmission ReuseCITY:REuseRADIO 2014, curated by Anna
Friz, Brane Zorman, Jasmina Založnik and Irena Pivka, a selection of
episodes from the art platform Radius, curated by Jeff Kolar, and a
re-transmission of sound works by artists shortlisted for the Listening
Room at the Festival Invisible Places, Sounding Cities, Viseu Portugal
2014, curated by Raquel Castro; Listening Room organised by Miguel
Carvalhais, Vítor Joaquim & André Rangel.<br /> <br /> Produced by: CONA Institute For Contemporary Arts Processing, 2015<br /> CONA programme is supported by the Municipality of Ljubljana, Department of Culture<br /> Partners: JSKD, OE Oddajniki in zveze (OE Transmitters and Communications)<br /> Adittional information and programme at:<br /> <a href="http://l.facebook.com/l.php?u=http%3A%2F%2Fwww.cona.si%2F&h=YAQGzekj4&enc=AZO2W7qimTiUB8tQGCDkeOzFGj_C13_IgMZaojRjYzsV8wYEIspZJTP7Yt1GmCs7o6g&s=1" rel="nofollow nofollow" target="_blank">http://www.cona.si/</a><br /> <a href="http://l.facebook.com/l.php?u=http%3A%2F%2Fwww.radiocona.si%2F&h=MAQGeQiZ-&enc=AZPRpfyWIHtzUoumrforQv7EHq-EOwtWa0yVWc8lRNJRbwRu95MSTURcJgmhoYL9xik&s=1" rel="nofollow nofollow" target="_blank">www.radiocona.si</a></span></span> </div>
Hugo Paquetehttp://www.blogger.com/profile/18293831461827779099noreply@blogger.comtag:blogger.com,1999:blog-6023471115673799012.post-26695641958605963132015-01-29T07:11:00.005-08:002015-01-29T07:26:53.286-08:00Glitch: metodologia e especulativismo: Hugo Paquete 2015<div class="separator" style="clear: both; text-align: center;">
</div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<b><a href="http://4.bp.blogspot.com/-ZLIZkANST5w/VMpQoGADIjI/AAAAAAAACBs/mL8WrgflyuM/s1600/GLITCH%2BORGANOGRAMA%2Bfim2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-ZLIZkANST5w/VMpQoGADIjI/AAAAAAAACBs/mL8WrgflyuM/s1600/GLITCH%2BORGANOGRAMA%2Bfim2.jpg" height="640" width="452" /></a></b></div>
<br />
<b>Glitch: metodologia e especulativismo:</b><br />
Pretende elaborar-se uma prefiguração de possíveis cruzamentos
teóricos e especulativos, na construção do discurso crítico e de
fundamentação metodológica com a introdução dos métodos de análise:
Micro-analítico, Macro-analítico, Meta-analítico e Supra-simulacro nas
artes sonoras e práticas intermédias. Hugo Paquete 2015Hugo Paquetehttp://www.blogger.com/profile/18293831461827779099noreply@blogger.comtag:blogger.com,1999:blog-6023471115673799012.post-10496668860193079972014-12-15T08:53:00.001-08:002014-12-15T08:53:10.928-08:00Entropia Disfuncional: Noise, Glitch e Chaos nas Artes Sonoras. Universidade de Aveiro: Departamento de Comunicação e Arte Hugo Paquete, 2014 | Hugo Paquete - Academia.edu<a href="https://www.academia.edu/9776678/Entropia_Disfuncional_Noise_Glitch_e_Chaos_nas_Artes_Sonoras._Universidade_de_Aveiro_Departamento_de_Comunica%C3%A7%C3%A3o_e_Arte_Hugo_Paquete_2014">Entropia Disfuncional: Noise, Glitch e Chaos nas Artes Sonoras. Universidade de Aveiro: Departamento de Comunicação e Arte Hugo Paquete, 2014 | Hugo Paquete - Academia.edu</a>Hugo Paquetehttp://www.blogger.com/profile/18293831461827779099noreply@blogger.comtag:blogger.com,1999:blog-6023471115673799012.post-24781802585403478852014-11-21T05:41:00.001-08:002014-11-21T06:00:42.045-08:00(404///+E<ratic8) Speculative software developer to noise and glitch production. Hugo Paquete 2014<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-6XtfePIRST4/VG9AxSexEGI/AAAAAAAAB8w/hs46vgnX3_U/s1600/erratic2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-6XtfePIRST4/VG9AxSexEGI/AAAAAAAAB8w/hs46vgnX3_U/s1600/erratic2.jpg" height="419" width="640" /></a></div>
<iframe allowfullscreen="" frameborder="0" height="360" src="//www.youtube.com/embed/Fz9q8JGB0gI" width="640"></iframe>
(404///+E&lt;ratic8) <br />
Speculative software developer to noise and glitch production. <br />
Hugo Paquete <br />
2014Hugo Paquetehttp://www.blogger.com/profile/18293831461827779099noreply@blogger.comtag:blogger.com,1999:blog-6023471115673799012.post-91145668516543910312014-11-20T07:44:00.000-08:002014-11-20T07:44:03.599-08:00Performence Ontometa Hyper-controlador. Hugo Paquete 2014<iframe allowfullscreen="" frameborder="0" height="360" src="//www.youtube.com/embed/vS_z03TxqDs?list=PLA597BD30FCF97C9C" width="640"></iframe>
Ontometa Hyper eye controler.
Performance Hugo Paquete
Year: 2014Hugo Paquetehttp://www.blogger.com/profile/18293831461827779099noreply@blogger.comtag:blogger.com,1999:blog-6023471115673799012.post-64473145303172590652014-09-06T12:14:00.001-07:002014-09-06T12:14:10.535-07:00Noise como media/ media como Glitch: Caos e erro como formulação estética nas artes sonoras. I.S.B.N: 978-989-96858-4-0 | Hugo Paquete -<a href="http://erratic8.blogspot.com/2014/09/noise-como-media-media-como-glitch-caos.html?spref=bl">+E<RATIC8+: Noise como media/ media como Glitch: Caos e erro c...</a>: Noise como media/ media como Glitch: Caos e erro como formulação estética nas artes sonoras. I.S.B.N: 978-989-96858-4-0 | Hugo Paquete -...Hugo Paquetehttp://www.blogger.com/profile/18293831461827779099noreply@blogger.comtag:blogger.com,1999:blog-6023471115673799012.post-15165495767361896552014-07-10T02:02:00.001-07:002014-07-10T02:02:30.317-07:00Invisible Places, Hugo Paquete: Radial Transference composition<div class="separator" style="clear: both; text-align: center;">
<a href="http://2.bp.blogspot.com/-HHdJmqDzYJ8/U75WY9R-2DI/AAAAAAAABxw/10yTji0rJ2k/s1600/poster-b-full.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-HHdJmqDzYJ8/U75WY9R-2DI/AAAAAAAABxw/10yTji0rJ2k/s1600/poster-b-full.jpg" height="640" width="451" /></a></div>
<div style="text-align: justify;">
<span class="fsl">Sounding Cities Invisible Places, Sounding Cities Sound, Urbanism and Sense of Place. 18–20 July 2014, Viseu, Portugal.<br /> <a href="http://invisibleplaces.org/invisibleplaces.html#audioworks" rel="nofollow nofollow" target="_blank"><span>http://</span><wbr></wbr><span class="word_break"></span><span>invisibleplaces.org/</span><wbr></wbr><span class="word_break"></span><span>invisibleplaces.html#audiow</span><wbr></wbr><span class="word_break"></span>orks</a><br /> <a href="http://invisibleplaces.org/invisibleplaces.html" rel="nofollow nofollow" target="_blank"><span>http://</span><wbr></wbr><span class="word_break"></span><span>invisibleplaces.org/</span><wbr></wbr><span class="word_break"></span>invisibleplaces.html</a><br /> <br /> A city is a place of diversities. Its rhythms are sometimes contrapuntal, sometimes synchron<span class="text_exposed_show">ous.
We live in a city of multiple destinations and routes—spaces populated
by sounds, smells, gestures, visions, exchanges, encounters, and
feelings. We have a better a city experience with all the senses
awakened. However, modern cities have been designed, built and
determined by visual aesthetics. A strict regime of the visual limits
the innately diverse ways we sense and communicate with our home and the
world.<br /> <br /> In urban planning the “regime of the visual” makes it
easy to neglect the invisible nature of sound. All its acoustic
variables are essential for developing proposals for our cities.
Technically, the physics and mathematics of sound are complex. Yet, all
too often, we have ear-witnessed the huge discomfort of new spaces built
with little or no attention to acoustic design. Your listening is as
important as what engineers can measure. The issue of sound quality in
urban environments is a universal theme that affects us all, from
hearing loss to heart disease, so it is urgent to extend this
discussion.<br /> <br /> Invisible Places | Sounding Cities has two goals: a
symposium on sound, urbanism and sense of place endorsed by the World
Forum for Acoustic Ecology and an exhibition of artistic events that
aims to bring art and science to the streets. It is integrated in
Jardins Efémeros edition IV.<br /> Raquel Castro<br /> <br /> Often acoustic
space is ignored in the construction of a public space, yet the negative
impact this has does not seem to get many complaints. People rarely
require more quality of the sonic world, because the average consumer
does not have the necessary references to change this state of affairs.
We know that the prevalence of noise or sounds that do not convey any
social significance and are a disturbance of the quality of life,
reduces the ability to identify with the place we inhabit. It is
therefore urgent to think about the acoustical problems societies are
facing today and integrate that thinking in urban planning, architecture
and management of public space, because the idea we have of ourselves,
our personal awareness and the relationships we build in the external
world, are inextricably linked to a space. We all exist somewhere. And
personal identity also relates to this.<br /> <br /> Format<br /> <br /> Stream 1: Architecture and urban planning, keynote speaker Jean-Paul Thibaud<br /> <br /> Stream 2: Urban sounds, identity and sense of place, keynote speaker Brandon LaBelle<br /> <br /> Stream 3: Sound art as public art, keynote speaker Salome Voegelin<br /> Symposium program<br /> <br /> All the talks will be presented at Escola Superior de Educação de Viseu.<br /> <br /> The audio works will be presented at the Listening Room at Rua do Comércio 112.</span></span></div>
Hugo Paquetehttp://www.blogger.com/profile/18293831461827779099noreply@blogger.comtag:blogger.com,1999:blog-6023471115673799012.post-23933035309341445752014-05-20T15:34:00.001-07:002014-05-20T15:37:13.747-07:00Devices in Contemporary Artistic Practice <div class="separator" style="clear: both; text-align: center;">
<a href="http://2.bp.blogspot.com/-OpmyrscEQJ4/U3vYNgBQ5qI/AAAAAAAABwQ/yj2mym_KN5I/s1600/cartaz.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-OpmyrscEQJ4/U3vYNgBQ5qI/AAAAAAAABwQ/yj2mym_KN5I/s1600/cartaz.jpg" height="640" width="451" /></a></div>
<br />
Devices in Contemporary Artistic Practice <br />
<span class="txt_noticia_sub">
ESAP's Atos Classroom <br />
May 29 at
17h00 </span><br />
Meeting organized by the Art Group and Critical Studies of the CEAA,
Department of Visual Arts, Degree in Fine Arts and Intermedia, Degree in
Visual Arts - Photography and Degree in Theatre, ESAP.<br />
<br />
<span style="color: maroon;">Program:</span><br />
<br />
<span style="color: maroon;">Às Lágrimas, Cidadãos! Contra o político politicamente correcto na arte contemporânea</span><br />
RICARDO NICOLAU<br />
<br />
<span style="color: maroon;">Ambiente tropical e Jardim de Inverno</span><br />
NUNO RODRIGUES<br />
<br />
<span style="color: maroon;">F de falso</span><br />
AMARANTE ABRAMOVIC<br />
<br />
<span style="color: maroon;">Utopía y disfuncionalidad:aproximación a la máquina a través del arte</span><br />
Mª COVADONGA BARREIRO<br />
<br />
<span style="color: maroon;">Noise como media nas artes sonoras</span><br />
HUGO PAQUETE<br />
<br />
<span style="color: maroon;">Chair:</span><br />
EDUARDA NEVESHugo Paquetehttp://www.blogger.com/profile/18293831461827779099noreply@blogger.comtag:blogger.com,1999:blog-6023471115673799012.post-35531458706654626782014-05-12T12:38:00.004-07:002014-05-12T12:40:55.164-07:00<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="http://1.bp.blogspot.com/-0zejQCvB23Y/U3EiE9-rS4I/AAAAAAAABvQ/TNjw7DQGi1o/s1600/IMAG0023.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Trashology VGA Hugo Paquete 2014" border="0" src="http://1.bp.blogspot.com/-0zejQCvB23Y/U3EiE9-rS4I/AAAAAAAABvQ/TNjw7DQGi1o/s1600/IMAG0023.JPG" height="480" title="Trashology VGA Hugo Paquete 2014" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span class="userContent">Trashology VGA<br /> <a data-hovercard="/ajax/hovercard/user.php?id=1504896901" href="https://www.facebook.com/hugopaquete.paquete">Hugo Paquete</a><br /> 2014</span></td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="http://2.bp.blogspot.com/-sjaQg8GBAP4/U3EiNhwNjbI/AAAAAAAABvY/3jWWpLKhky0/s1600/IMAG0024.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Trashology VGA Hugo Paquete 2014" border="0" src="http://2.bp.blogspot.com/-sjaQg8GBAP4/U3EiNhwNjbI/AAAAAAAABvY/3jWWpLKhky0/s1600/IMAG0024.JPG" height="480" title="Trashology VGA Hugo Paquete 2014" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span class="userContent">Trashology VGA<br /> <a data-hovercard="/ajax/hovercard/user.php?id=1504896901" href="https://www.facebook.com/hugopaquete.paquete">Hugo Paquete</a><br /> 2014</span></td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="http://2.bp.blogspot.com/-5HcIxOfzXGE/U3EiR4Mv9NI/AAAAAAAABvg/XGTUOJqqlIg/s1600/delay.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Amplitude death: Chaotic Buffer Delay Hugo Paquete 2014" border="0" src="http://2.bp.blogspot.com/-5HcIxOfzXGE/U3EiR4Mv9NI/AAAAAAAABvg/XGTUOJqqlIg/s1600/delay.jpg" height="480" title="Amplitude death: Chaotic Buffer Delay Hugo Paquete 2014" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span class="userContent">Amplitude death: Chaotic Buffer Delay <br /> <a data-hovercard="/ajax/hovercard/page.php?id=125055577608932" href="https://www.facebook.com/pages/Hugo-Paquete/125055577608932">Hugo Paquete</a><br /> 2014</span></td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="http://1.bp.blogspot.com/-kxaLKcDUX_Q/U3Eiek3UOFI/AAAAAAAABvo/l58JLMhUchc/s1600/junksynth.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Junksynth Hugo Paquete 2014" border="0" src="http://1.bp.blogspot.com/-kxaLKcDUX_Q/U3Eiek3UOFI/AAAAAAAABvo/l58JLMhUchc/s1600/junksynth.jpg" height="480" title="Junksynth Hugo Paquete 2014" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span class="userContent">Junksynth<br /> <a data-hovercard="/ajax/hovercard/page.php?id=125055577608932" href="https://www.facebook.com/pages/Hugo-Paquete/125055577608932">Hugo Paquete</a><br /> 2014</span></td></tr>
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<a href="http://hugopaquete.tumblr.com/post/85547495991/hugo-paquete-new-hardware-hacking-instruments-for"></a><br />
<div class="texte">
<a href="http://hugopaquete.tumblr.com/post/85547495991/hugo-paquete-new-hardware-hacking-instruments-for">Hugo Paquete new hardware hacking instruments for performance 404///+E&lt;ratic8.</a><br />
<a href="http://hugopaquete.tumblr.com/post/85547495991/hugo-paquete-new-hardware-hacking-instruments-for">
<span class="userContent">Trashology VGA</span><br />
<span class="userContent">Junksynth</span><br />
<span class="userContent"><span class="userContent">Amplitude death: Chaotic Buffer Delay </span></span><br />
<span class="userContent">2014</span></a></div>
Hugo Paquetehttp://www.blogger.com/profile/18293831461827779099noreply@blogger.comtag:blogger.com,1999:blog-6023471115673799012.post-61118225517095394592014-02-04T16:24:00.002-08:002014-02-04T16:24:21.409-08:00 Hugo Paquete_(USC) (Unpredictable systems and collapse)_International PNEM Sound Art Festival_2013<iframe allowfullscreen="" frameborder="0" height="360" src="//www.youtube.com/embed/KEI_RJUKiMg" width="640"></iframe>
Hugo Paquete_(USC) (Unpredictable systems and collapse)_International PNEM Sound Art Festival_2013<br />
<br />
<a href="http://www.about.me/hugo.paquete">www.about.me/hugo.paquete</a><br />
<a href="http://www.soundartfestival.nl/Pnem-Archive/Hugo_Paquete.htm">www.soundartfestival.nl/Pnem-Archive/Hugo_Paquete.htm </a><br />
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
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<tr><td class="tr-caption" style="text-align: center;">Hugo Paquete_(USC) (Unpredictable systems and collapse)_International PNEM Sound Art Festival_2013</td></tr>
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Hugo Paquetehttp://www.blogger.com/profile/18293831461827779099noreply@blogger.comtag:blogger.com,1999:blog-6023471115673799012.post-28100525636035096132014-02-04T16:22:00.001-08:002014-02-04T16:22:13.136-08:00∏-Node_Hugo Paquete composition in the CTM Festival 2014<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-BDRSwridQ60/UvGD7fFhmfI/AAAAAAAABrc/IlXd4emO698/s1600/tumblr_n09yxrmUZd1qgrmw0o1_500.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-BDRSwridQ60/UvGD7fFhmfI/AAAAAAAABrc/IlXd4emO698/s1600/tumblr_n09yxrmUZd1qgrmw0o1_500.jpg" height="452" width="640" /></a></div>
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Radius produced a special radio program for the <a href="http://p-node.org/" target="_blank">∏-Node</a> hybrid radio project at the <a href="http://www.ctm-festival.de/" target="_blank">2014 CTM Festival</a>. <a href="http://p-node.org/" target="_blank">∏-Node</a>
is a multi-dimensional radio infrastructure platform that experiments
with narrative, participative, and imaginary possibilities of Radio
through the use of both historic and new digital technologies.</div>
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The program highlights <a href="http://theradius.us/episode01">Episode 01: Michael Woody</a>, <a href="http://theradius.us/episode04">Episode 04: Art of Failure</a>, <a href="http://theradius.us/episode23">Episode 23: Radio Cegeste</a>, <a href="http://theradius.us/episode35">Episode 35: Hugo Paquete</a>, <a href="http://theradius.us/episode39">Episode 39: Jesse Eric Schmidt</a>, <a href="http://theradius.us/episode42">Episode 42: ShortWaveMusic</a>, and <a href="http://theradius.us/episode44">Episode 44: Anna Friz</a>.</div>
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The program broadcasts on Sunday, February 02 at 11am - 2pm CET on <a href="http://p-node.org/" target="_blank">∏-Node</a> Network in Berlin, Germany. Listen to the <a href="http://p-node.org/" target="_blank">∏-Node</a> online stream <a href="http://p-node.org/" target="_blank">here</a>.</div>
Hugo Paquetehttp://www.blogger.com/profile/18293831461827779099noreply@blogger.comtag:blogger.com,1999:blog-6023471115673799012.post-43412255354917783872014-02-04T05:57:00.001-08:002014-02-04T06:08:32.244-08:00THE RADIUS: Radio art project -Bande Sans Fin / Endless Tape<div>
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<a href="http://3.bp.blogspot.com/-fsjDsmTnSg0/UvDw3AC2nnI/AAAAAAAABrI/jc0wWi0rqXs/s1600/jeff+kolar+radius.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-fsjDsmTnSg0/UvDw3AC2nnI/AAAAAAAABrI/jc0wWi0rqXs/s1600/jeff+kolar+radius.jpg" height="640" width="426" /></a></div>
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Radius Episode re-broadcast for their late night program <i>Bande Sans Fin / Endless Tape </i>directly proceeding my performance<i>. </i>The
host of the show, Anton Mobin, has chosen several Radius Episodes for
re-broadcast deep into the night starting on Friday, February 7 at 12:00
AM (00:00 hour).</div>
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A full list of the program can be found here: <a href="http://epsilonia-radio.blogspot.fr/2014/02/squadra-lumaca-06022014-jeff-kolar-live.html" target="_blank">http://epsilonia-radio.blogspot.fr/2014/02/squadra-lumaca-06022014-jeff-kolar-live.html</a></div>
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I will also be announcing this special
re-broadcast on the Radius website on Monday or Tuesday, so be on the
lookout for that if you're looking to share on your networks.</div>
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The program will be arranged in chronological order:</div>
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Episode 01: Michael Woody - <i>Numbers Stations 1 and 2 </i></div>
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Episode 04 : Art Of Failure - <i>8 silences</i></div>
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Episode 10 : Harold Schellinx - <i>Seventy Seconds</i></div>
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Episode 11: Jeff Gburek - <i>Radio Wide World</i></div>
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Episode 19: Emilie Mouchous & Andrea-Jane Cornell - <i>Rise and Shine</i></div>
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Episode 26: U.S.O. Project - <i>InharmoniCity</i> </div>
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Episode 28: Harold Schellinx - <i>Seventy Seconds</i> </div>
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Episode 32 : IO.SOUND - <i>(( Return of the 12th Planet )) </i></div>
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Episode 35: Hugo Paquete - <i>Radial Transference</i></div>
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Episode 44 : Anna Friz - <i>Radiotelegraph</i></div>
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Episode 47: D. Burke Mahoney - <i>Fading Signals (Dead Air)</i></div>
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As
always, please let me know if you have any questions or concerns over
this. We are very excited for the opportunity to air your Radius
episodes in Paris.</div>
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Thanks again for your continued support and encouragement for Radius.</div>
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<a href="http://theradius.us/episodes">http://theradius.us/episodes </a></div>
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Hugo Paquetehttp://www.blogger.com/profile/18293831461827779099noreply@blogger.comtag:blogger.com,1999:blog-6023471115673799012.post-6105490991544619682014-02-04T05:46:00.001-08:002014-02-04T05:46:48.403-08:00Radio Libertaire (89.4-FM) is the radio station of the Anarchist Federation broadcasting from Paris since 1981<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-tj906Ggnt9Q/UvDvEedJWnI/AAAAAAAABq8/XALOUi4bqww/s1600/tumblr_n0fwxzzuHn1qgrmw0o1_500.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-tj906Ggnt9Q/UvDvEedJWnI/AAAAAAAABq8/XALOUi4bqww/s1600/tumblr_n0fwxzzuHn1qgrmw0o1_500.jpg" height="640" width="444" /></a></div>
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<span class="userContent">Radius will be featured in a special late
night edition of the Endless Tape radio program on EPSILONIA Radio
Libertaire (89.4-FM) in Paris, France. Radio Libertaire (89.4-FM) is the
radio station of the Anarchist Federation broadcasting fro<span class="text_exposed_show">m Paris since 1981.<br /> <br />
The program will highlight Episode 01: Michael Woody, Episode 04: Art
Of Failure, Episode 10: Harold Schellinx, Episode 11: Jeff Gburek,
Episode 19: Emilie Mouchous & Andrea-Jane Cornell, Episode 26:
U.S.O. Project, Episode 28: Harold Schellinx, Episode 32: IO.SOUND,
Episode 35: Hugo Paquete, Episode 44: Anna Friz, Episode 45: Alyssa
Moxley, Episode 46: Luke Munn, and Episode 47: D. Burke Mahoney.<br /> <br />
The Endless Tape program broadcasts on Friday, February 07 at 12am -
9am CET on Radio Libertaire (89.4-FM) in Paris, France. Listen to the
Radio Libertaire (89.4-FM) online stream here.<br /> <a href="http://theradius.us/post/75518413199/radius-will-be-featured-in-a-special-late-night" rel="nofollow nofollow" target="_blank">http://theradius.us/post/75518413199/radius-will-be-featured-in-a-special-late-night</a></span></span></div>
Hugo Paquetehttp://www.blogger.com/profile/18293831461827779099noreply@blogger.comtag:blogger.com,1999:blog-6023471115673799012.post-6332395131296873932014-01-31T16:00:00.001-08:002014-01-31T16:23:23.633-08:00Arte Eletroacústica de 21 Dez 2013 - RTP Play <div class="separator" style="clear: both; text-align: center;">
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<a href="http://www.rtp.pt/play/p782/e138542/arte-eletroacustica">www.rtp.pt/play/p782/e138542/arte-eletroacustica</a>Hugo Paquetehttp://www.blogger.com/profile/18293831461827779099noreply@blogger.comtag:blogger.com,1999:blog-6023471115673799012.post-24423063431889903702014-01-31T15:58:00.000-08:002014-01-31T15:58:09.923-08:00(USC) Unpredictable systems and collapse / Software art installation / Hugo Paquete / 2014<div class="post_body" style="text-align: justify;">
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<br />
(USC) Unpredictable systems and collapse<br />
Software art installation<br />
Hugo Paquete<br />
2014<br />
1. Avenida residence art space Porto, Portugal</div>
Hugo Paquetehttp://www.blogger.com/profile/18293831461827779099noreply@blogger.comtag:blogger.com,1999:blog-6023471115673799012.post-52149027225938086552014-01-31T15:51:00.001-08:002014-01-31T15:51:55.401-08:00DATA EXECUTION<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-Qfc7ok83YyU/Uuw2xJeCHnI/AAAAAAAABpM/LRXwGhiYQ-o/s1600/data+execution+hugo+paquete.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-Qfc7ok83YyU/Uuw2xJeCHnI/AAAAAAAABpM/LRXwGhiYQ-o/s1600/data+execution+hugo+paquete.jpg" height="296" width="640" /></a></div>
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<a href="http://2.bp.blogspot.com/-OIXM5cHEuwg/Uuw2viNLYRI/AAAAAAAABpE/9sBwZUtY74c/s1600/data+execution+Hguo+Paquete.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-OIXM5cHEuwg/Uuw2viNLYRI/AAAAAAAABpE/9sBwZUtY74c/s1600/data+execution+Hguo+Paquete.jpg" height="298" width="640" /></a></div>
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The web base and sonic experiment DATA EXECUTION was integrated in this event organized by: <b>0P3NR3P0</b></div>
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<b>http://0p3nr3p0.net/</b></div>
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<b>http://dataexe.tumblr.com/</b></div>
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<span class="descr">Composition exploration using file conversions methods exploring sonic possibility's between executable raw conversions to wave audio files.<br /> Research to understand the data reinterpretation made by the mechanical reorganization of the meta data. <br /> Exploring the metaphysic involving information composition and sonic data in a occult dimension of sonic manifestation.<br /> Hugo Paquete 2013</span></div>
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The <b>0P3NR3P0</b> is an open/public repository of glitch art work</div>
<div style="text-align: justify;">
IRL/exhibition history</div>
<div style="text-align: justify;">
initially the 0P3NR3P0 served as a remote submission system for the 2112 GLI.TC/H festival/conference/gathering in Chicago.<br />the second IRL exhibition was held on March 19, 2013 at the Museum of Contemporary Art in Chicago<br />the third IRL exhibition was held at Furtherfield Gallery in London, from June 8 - July 28, 2013<br />IRL/online galleries interested in leveraging the repo for a show visit the curate page.</div>
Hugo Paquetehttp://www.blogger.com/profile/18293831461827779099noreply@blogger.comtag:blogger.com,1999:blog-6023471115673799012.post-38639523494356688802014-01-31T15:49:00.000-08:002014-01-31T15:49:02.871-08:00FAR: FACILITY FOR ARTS RESEARCH / Florida State University’s Facility for Arts Research<span class="fsl" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img alt="image" height="320" src="https://31.media.tumblr.com/1677dca982c43deeb9c7870a6bdbef62/tumblr_inline_mywb10zMdp1rnbjtw.jpg" width="640" /></span><span class="fsl"></span><br />
<span class="fsl"><span class="fsl">One of my composition presented in the (FAR): FACILITY FOR ARTS RESEARCH</span></span><br />
<span class="fsl">Hugo Paquete<br /> Radial Transference<br /> 20:43</span><br />
<span class="fsl"><span class="text_exposed_show"></span>2011</span><br />
<span class="fsl"><span class="fsl"><span class="text_exposed_show">FAR LISTENING POST</span></span></span><span class="fsl"><span class="fsl"><span class="text_exposed_show"> The FAR Listening Post is a new, intimate venue for sound art housed within Florida State University’s Facility for Arts Research. We are now accepting proposals for multi-channel audio work from audio artists worldwide. Successful entries will deal in some way with sound-in-space, but more musically leaning pieces are certainly welcome. Please understand that we can support audio material only: there is no provision for accompanying visuals, physical objects, live performance, etc.</span></span></span><br /><span class="fsl"><span class="fsl"><span class="text_exposed_show"> The audition space is a roughly cubic volume about 4 meters on a side and contains a fixed array of eight speakers, one at each vertex. The walls are acoustically treated.</span></span></span><br /><span class="fsl"><span class="fsl"><span class="text_exposed_show"> <br /> College of Visual Arts, Theatre & Dance, Florida State University<br /> <br /> <a href="http://artsresearch.fsu.edu/2013/02/far-listening-post/" rel="nofollow nofollow" target="_blank">http://<span class="word_break"></span>artsresearch.fsu.edu/2013/<span class="word_break"></span>02/far-listening-post/</a></span></span></span>Hugo Paquetehttp://www.blogger.com/profile/18293831461827779099noreply@blogger.comtag:blogger.com,1999:blog-6023471115673799012.post-71133709869196344032014-01-31T15:47:00.006-08:002014-01-31T15:47:51.079-08:00ZKM: Produced at IMA: structures 2013<iframe frameborder="0" height="360" src="//www.youtube.com/embed/a8k3qcx91W0" width="480"></iframe><br />
<span class="fsl">Produced at IMA: structures<br /> Sound Dome concert with electro-acoustic works by Panayiotis Kokoras, Mario Verandi, Orestis Karamanlis, Michael Edwards und Hugo Paquete<br /> Sound direction: Götz Dipper<br /> at ZKM_Cube, 8 p.m.<br /> <span class="text_exposed_show"><br /> <a href="http://on1.zkm.de/zkm/Musik/2013english" rel="nofollow nofollow" target="_blank">http://on1.zkm.de/zkm/Musik/2013english</a><br /> </span></span><span class="fsl"><span class="text_exposed_show"> Sound Dome Concert with Works by Orestis Karamanlis, Mario Verandi, Hugo Paquete, Panayiotis Kokoras and Michael Edwards</span></span><br /><span class="fsl"><span class="text_exposed_show"> Sound Direction: Götz Dipper</span></span><br /><span class="fsl"><span class="text_exposed_show"> ZKM_Cube, 8 p.m.</span></span><br /><span class="fsl"><span class="text_exposed_show"> </span></span><br /><span class="fsl"><span class="text_exposed_show"> The great diversity of works in the current edition of the series "Produced at IMA" provide material for discussion: does a beat exist? Which musical structures are possible to differentiate, if at all? Do non-musical settings play a role in the development of pieces? These and other questions will be pursued in the current edition on the theme "Structures".</span></span><br /><span class="fsl"><span class="text_exposed_show"> </span></span><br /><span class="fsl"><span class="text_exposed_show"> In the series "Produced at IMA", specific electroacoustic works will be presented on a specific theme by the ZKM | Institute for Music and Acoustics (IMA). As a site for artistic research, which actively accompanies and promotes productions, the IMA has at its disposal an extremely varied fund of works that have been realized by international artists of electronic music. In this series, the IMA intends to make both audible and visible to the public this long collaboration with the artist.</span></span><br /><span class="fsl"><span class="text_exposed_show"> </span></span><br /><span class="fsl"><span class="text_exposed_show"> The compositions are presented by a sound director in programmatic arrangements. As a rule, the works involve pieces that were either especially composed for the unique Sound Dome at the ZKM_Cube, or else exist in special Sound Dome versions. </span></span>Hugo Paquetehttp://www.blogger.com/profile/18293831461827779099noreply@blogger.comtag:blogger.com,1999:blog-6023471115673799012.post-32829047773752866172014-01-31T15:46:00.000-08:002014-01-31T15:46:02.717-08:00International Festival of Creativity, Innovation & Digital Culture<div>
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<span class="Estilo41"><span class="Estilo23">Hugo Paquete</span><br /> Portugal <br /> <a href="http://www.youtube.com/watch?v=0HkXr1-OpzU" target="_blank">http://www.youtube.com/watch?v=0HkXr1-OpzU</a><br /> <a href="http://about.me/hugo.paquete" target="_blank">http://about.me/hugo.paquete</a><br /> </span><span class="Estilo41"> Project: [<span class="Estilo23">USC][Unpredictable systems and collapse]</span> </span></div>
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This software its part of a Meta-media performance that explore the interaction of sound, image and performative experiences over the concept of Glitch and the general accident of failing.</div>
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The factor of transformation, glitch and transitivity against predictability was taken into consideration to generate this software.<br /> Accumulation effects crash over the system generating an entropy disorder to achieve the failure over a general accident. Over the operative system represented as a counter paradigm of order and functionality.<br /> Over imposing a abstract language of colours and shapes base in the virtual environment of the operative system. Saturating the space with sound in till the collapse of the machine.<br /> Exploring the post-digital condition of approach the machine and code as a mechanism / language with limits to explore in the error level. As a new aesthetic formulation in a world of supra performativety and order.<br /> A system generated to fail in a poetic allegory over the infinity of formulas.</div>
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Based on the concepts of regularity, irregularity and functionality, this chance proposal was built taking into account factors such as the relationship construction of a machine, tool and non-linearity, abstraction, because there follows a linearity assumption of control, being casual and relative in origin. I would like to underline a passage from the book: Samuel Beckett and Abstract Machines Deleuze and Guattari Philosophy after. The Abstract Machine, on this model, is a phylum, comprising 'particles' of 'matter' which cannot be converted without remainder into form, an 'inorganic vitality' which by definition is opposed, and resistant, to an organic composite formation. In this sense it is virtual rather than current, rather than real realized. The Abstract Machine is not static like the 'deep structure', regarded as a Given, Which on structuralism is predicated, but is, rather, Involved in constant variation, in perpetuum mobile. It’s propulsive force. However, it is not susceptible to being gridded by reference to an evolutionary or teleological template.</div>
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This factor of transformation, mutation and against structuralism was taken into account in a software construction and performance, as the attempt by accumulation effect to crash a system, or the manifestation of its construction by accumulation and entropy as order to prove their strength and vitality. This force of vitality system, machine, and mechanism of action, dynamic performative imposition of a system can be regarded as a representation of the infinite quest within an operating system or its limitation. This concept also limits this programmatic intentions expressed in the performance. Because it opens its length up to the point where the system becomes saturated and fails, this being the point of allegoric or poetic search for infinity. Infinity is not a number, not an object, not a formula.</div>
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tag: software art</div>
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http://www.espacioenter.com/2013/Art_Science_Innovation_artificiallife_softwareart_transgenicart__bioart_generativearts_.htm</div>
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<span class="Estilo411"><b><span class="Estilo257">ART SCIENCE INNOVATION </span></b> <a href="http://www.facebook.com/EspacioEnterFestival" target="_blank"><img alt="image" border="0" src="http://www.espacioenter.com/2010/facebook.jpg" height="26" width="26" /></a> <a href="http://www.twitter.com/espacioenter"><img alt="image" border="0" src="http://www.espacioenter.com/2010/twitter.jpg" height="26" width="26" /></a></span></div>
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<span class="Estilo256"><span class="Estilo141"><a href="http://www.artfutura.org/"><span class="Estilo216"><span class="Estilo101">- </span></span></a></span><span class="Estilo101">Artificial Life<br /> - Software art<br /> - Transgenic art<br /> - Generative art<br /> - Bioart<br /> - Nanotechnology<br /> - Geospatial storytelling<br /> - Videogames<br /> - Robotic<br /> - Free Software<br /> - 2D & 3D Animation<br /> - Net-art<br /> - Digital Communities <br /> - Social networks <br /> - Blog, videoblog<br /> - Apps development<br /> - Mobil platforms <br /> - Data Visualization <br /> - Mapping <br /> - Telesharing actions<br /> - Telepresence <span class="Estilo53"></span></span></span><span class="Estilo53"> </span></div>
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Hugo Paquetehttp://www.blogger.com/profile/18293831461827779099noreply@blogger.comtag:blogger.com,1999:blog-6023471115673799012.post-35468996251098362014-01-31T15:43:00.002-08:002014-01-31T15:43:37.809-08:00PROGRAMA 24 BAJA FRECUENCIA Radio P.I.C.A<div class="separator" style="clear: both; text-align: center;">
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http://www.radiopica.net/<img alt="image" src="http://www.radiopica.net/picamov.gif" /></div>
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<span class="this-posted-in"></span>Baja frequencia: radio programa dedicated to Hugo Paquete and Sara Montet.</div>
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https://docs.google.com/file/d/0B5xb4Z0EDkJwSzZHYlNNWTdZXzA/edit?usp=sharing</div>
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Radio PICA emisora independiente, autogestionada y no comercial. Inicio sus emisiones el marzo de 1981, como medio de difusión especializado. Sus iniciales-siglas P I C A significan / Promoción Independiente Coordinación Artística- Alternativa, básicamente coordinación creativa y de vanguardia.</div>
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Radio Pica no recibe ningún tipo de subvención, esta autofinanciada por los realitzadores/as de los programas, sus objetivos la creatividad, la experimentación y la libre expresión.</div>
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Es una emisora cibernizada, gran parte de sus programas son confiados para su difusión y enviados de todo el mundo por medio de internet.</div>
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La organización es totalmente independiente -federación de individualidades- la mayoria de realizadores/as no se conocen personalmente.<br /> <br /> No es un club de amistad, es un punto de difusión creativa, la finalidad conseguir una buena producción de programas.</div>
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Estamos más que hartos de teorías y fantasmadas, nos interesa la práctica, o sea : Obras son amores y no buenas razones.<br /> <br /> No creemos en el corporativismo, la "reunitis", el gregarismo borregil y la demagógia asamblearia.<br /> <br /> Nuestros problemas se solucionan directamente, sin intermediarios, representantes, delegados o comisiones.</div>
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En definitiva acción directa confederada y solidaria.</div>
Hugo Paquetehttp://www.blogger.com/profile/18293831461827779099noreply@blogger.com