domingo, 9 de outubro de 2011

Experiments for a tragic day / Hugo Paquete / 2010


Experiments for a tragic day | 2010 dvd, 4:3, color, sound, 12' 32" (loop) edition: 3) + 1 PA

Transmitting / Hugo Paquete /2009


Transmitting| 2009 dvd, 4:3, color, sound, 10' 00" (loop) edition: 3) + 1 PA/
Video installation

Spatial Antiphony / hugo paquete /2010


Spatial antiphony| 2010 dvd, 16:9, color, sound, 12' 23" (loop) edition: 3) + 1 PA/
Video installation

Boundaries / Hugo Paquete / 2007


Boundarie | 2007
dvd, 4:9, color, 12`00" (loop) edition: 3) + 1 PA/ Video installation

sexta-feira, 7 de outubro de 2011

c: de(+)troy / Hugo Paquete / 2011

Graphic work photos computer manipulated photo. Study for generative geometric structures. Graphic work photos computer manipulated Photos.
size: 50 cm
Author: Hugo Paquete Year: 2011

Nowherezone hugo paquete2010


Nowherezone| 2010 dvd, 4:3, color, sound, 07' 15"
(loop) edition: 3) + 1 PA/
Video installation

Phonology / Hugo Paquete / 2009


Phonology| 2009 dvd, 4:3, color, sound, 03' 08" (loop) edition: 3) + 1 PA/
Video installation
Author: HugoPaquete
Year: 2009

terça-feira, 4 de outubro de 2011

c:ak

  Study for composition padrons in architecture.
Developing geometric aesthetics reflecting urban space and new sculptural forms in contemporary.

segunda-feira, 3 de outubro de 2011

Combinatorics: Study to split time ( Open composition) Hugo Paquete 2011


Combinatorics: Study to split time ( Open composition) Hugo Paquete 2011 by paquetehugo
Combinatorics Study to split time ( Open composition) 
Time: 8 minutes ( In performance its open the end time the limit its 40 minutes ) 
This performance is divided into two distinct parts. Presented as a solo performance that can be presented with a digital dj set, dj midi controller. Where the same composition is being worked by layer of time on both cd ore vinil decks. Being constantly involved in this process, the relationship of improvisation The duration of the work is confined between 15 minutes and 30.Second part is presented as a performance for two preferably turntablist, dj interpreter, which will be arranged at different locations of the stage or space where each will have a quadraphonic sound system or stereo depending on the characteristics of space. Each interpreter will have control of its composition and time management of the work. According to fixed rules and other improvised but always following an order of time and fragmentary using an aesthetic of repetition and tonal variation. With strong attacks. And long silences. This composition was developed from material sample base and designed on a session of improvisation for saxophone and electronics, with Brazilian Pedro Bittencourt Saxofonist. Other factor its maintains a dynamic form of logic in the compositions in this case reflects the actual shape of the space where this piece was conceived, a surface of the 48 sound speakers the klangdoom in the ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe integrated as resident artist in the department of | ZKM | Music and Acoustics Institute. Thanks to Pedro Bittencourt fore the great samples that he offerer me and the time that he past testing my patch for sampling is saxophone. More information about Pedro Bittencourt and is great work in the link below. www.pedrobittencourt.info/ Thanks for the collaboration Pedro Bittencourt

domingo, 2 de outubro de 2011

Anisotropy / Hugo Paquete 2011


  Anisotropy | 2011 dvd, 4:3, cor, som, 04' 58" (loop) edição: 3 (disponível 3) + 1 PA Exploration of the complex, interpenetrates, and reflective relationships of structure of sound and image, form, and motion that both bind and conflict the nature of the digital element.